Norman Rockwell’s America was not all white. As early as 1936, Rockwell was portraying people of color with empathy and a dignity often denied them at the time. And he created these portraits from live models.
Hidden in Plain Sight: The Other People in Norman Rockwell’s America unfolds, for the first time, the stories of the Asian, African, and Native Americans who modeled for Norman Rockwell. These people of color, though often hidden in plain sight, are present throughout Rockwell’s more than 4000 illustrations. People like the John Lane family, Navajos poignantly depicted in the virtually unknown Norman Rockwell painting, “Glen Canyon Dam.” People like Isaac Crawford, a ten-year old African-American Boy Scout who helped Norman Rockwell finally integrate the Boy Scout calendar.
In this engrossing and often humorous narrative, Jane Allen Petrick explores what motivated Norman Rockwell to slip people of color “into the picture” in the first place. And in so doing, she persuasively documents the famous illustrator’s deep commitment to and pointed portrayals of ethnic tolerance, portrayals that up to now have been, as Norman Rockwell biographer Laura Claridge so clearly put it, “bizarrely neglected”.
Hidden in Plain Sight: The Other People in Norman Rockwell’s America is an eye opener for everyone who loves Norman Rockwell, everyone who hates Norman Rockwell and for all those people in between who never thought much about Norman Rockwell because they believed Norman Rockwell never thought much about them. This book will expand the way you think about Norman Rockwell. And it will deepen the way you think about Norman Rockwell’s America.
Whether you love the work of Norman Rockwell, hate it or just haven’t given it that much thought, after all it pervades most of American life in one way or another, this book is well worth your time to read to gain a new perspective on his work, or allow you to look at it with fresh eyes.
In this short 125 page book, the Author illustrates how the Artist used his talents to give a voice to his feelings about the happenings of the time. Through thoroughly engaging and captivating stories the Author lets the reader into the mind of Mr. Rockwell and experience his feelings about those in society who are ‘hidden in plain sight’. This book features a section of those people, those of colour, who he used as models for his work which in turn served to give his illustrations a depth and also a social awareness that many have failed to notice. In compiling this book the Author provides the reader with a greater understanding of America, as seen through the brush strokes of an artist who snubbed his nose at convention and included people in his artwork that were largely overlooked by society as a whole. My only issue about this book was that there were not more illustrations to support the stories contained within its pages; I suspect this may be more due to copyright issues than intentional omission
I highly recommend it for readers of any age that are interested in the arts or art history and lovers of Norman Rockwell’s work. Reading this certainly gave me a new appreciation for the work of Norman Rockwell.