In 1480 Florentine investigator Guid’Antonio Vespucci and his nephew‚ Amerigo‚ are tangled in events that threaten to destroy them and their beloved city.
Marauding Turks abduct a beautiful young Florentine girl and sell her into slavery. And then a holy painting begins weeping in Guid’Antonio’s church. Are the tears manmade or a sign of God’s displeasure with Guid’Antonio himself?
In a finely wrought story for lovers of medieval and renaissance mysteries everywhere‚ Guid’Antonio follows a spellbinding trail of clues to uncover the thought-provoking truth about the missing girl and the weeping painting’s mystifying—and miraculous?—tears‚ all pursued as he comes face to face with his own personal demons
This is this Authors debut novel in the realm of historical fiction and, as much as I enjoy good historical fiction, I just couldn’t get into this one at all. I think it was a case of the classic line ‘it’s me, honestly, not you’.
To say the cast of characters in this book is immense would be an under-statement, and I felt at times it would have helped me along in my reading if there had been a character list printed in the front of the book; I have a sneaky feeling that many other readers who pick up this book may feel the same way too. Although none of the characters stand out in the book, they are interesting to say the least, and the main protagonist is very interesting; he is cranky, complicated, lonely and extremely loyal; all traits which seemed at odds to the world in which he was living, a world where loyalty seemed to be as fleeting as the wind.
Despite the indication in the synopsis that this may have edged into the realms of a genre I never read, I found there to be little to no romance in this book; there is no love in the traditional sense of the word and no homoerotic longings as can often take place in a novel of this kind. What there is however is political intrigue by the boatload, and this made the book a compelling read and was, for me, the saving grace that earned the rating of 3 thumbs as opposed to it being lower.
It is obvious that the Author has done a lot of research into this era in Florence’s history, and I found this interesting and educating as I did not know about some of the historical details touched upon in the novel. I felt this was helped by the fact that the main protagonist was actually a real-life figure in these times, and this added more realism to the descriptions used and the events encountered in the book.
I would recommend this book to lovers of historical fiction but particularly those who like a good solid mystery that is full of political intrigue.