“Miss Rook, I am not an occultist,” Jackaby said. “I have a gift that allows me to see truth where others see the illusion–and there are many illusions. All the world’s a stage, as they say, and I seem to have the only seat in the house with a view behind the curtain.”
Newly arrived in New Fiddleham, New England, 1892, and in need of a job, Abigail Rook meets R. F. Jackaby, an investigator of the unexplained with a keen eye for the extraordinary–including the ability to see supernatural beings. Abigail has a gift for noticing ordinary but important details, which makes her perfect for the position of Jackaby’s assistant. On her first day, Abigail finds herself in the midst of a thrilling case: A serial killer is on the loose. The police are convinced it’s an ordinary villain, but Jackaby is certain it’s a nonhuman creature, whose existence the police–with the exception of a handsome young detective named Charlie Cane–deny.
The Author certainly has a way with words, and a wonderful way of using them. This becomes apparent from the first character introduction he writes. Not only does he make his characters three-dimensional and interesting from the very first meeting, but he manages to keep this standard up and apply it to all subsequent characters that appear throughout the book. It may be wrong of me but, as the title of the book suggests, Jackaby is not the only front and centre main protagonist in this novel; his assistant takes equal footing as the story progresses and, in some places outshines Jackaby. When this happens it doesn’t read as if the Author ran out of steam as far as Jackaby was concerned, but rather embraced the ebb and flow of real life into the plot that makes it inevitable that lead roles will change. The description of our title character, and his actions, had me swinging between wondering if he was truly the genius he purported to be and also trying to figure out how he had evaded being consigned to the nearest asylum long before the story takes place. His assistant on the other hand shows all the traits and stubbornness that many young women were feeling in this time period, and went to extraordinary lengths to stretch those newly discovered wings. I particularly liked with her character the way in which the Author had her determined in her path but at times interspersed this with a glimpse at the closeted lifestyle she had left behind. In the supporting cast of characters, some of whom I do hope will appear in future instalments, they too were treated with as much care and consideration as the main characters. Do I have a favourite in all those presented to me within this novel’s pages? I certainly do, and I would have to say there wasn’t one that I didn’t like.
With as much care as he put into his characters, this Author sets the locations and events within the book. He pulls on the weather and lifestyles of the period to create atmosphere and suspense in a way that I can honestly say I haven’t seen in a YA book before. The Author manages to blend the thought processes of Sherlock Holmes, Hercule Poirot and Harry Dresden together in a seamless manner; the end result being something that really shouldn’t work producing a whole new way to look at the world of detection. There is no wasted area in the book, as scenes visited early on come back at some point to play an integral part of the plot; the result of this is an engrossing read that will pull you into the mystery from the very first chapters.
I would highly recommend this book to readers of all ages, not just those in the aimed demographic, and also anyone who enjoys any of the characters mentioned in the previous paragraph. Will I read anymore by this Author? Definitely, I am already halfway through book two in the series.